(Parenthesis)

{Dream-logic rarely succeeds.}

Archive for March, 2008

Broken

To be constantly indecisive is,
in most cases, not much of a boon.
But considering this temper of his,
I see the truth comes out almost too soon.

To have known love and lost it rends the heart
in neat little pieces, never repaired.
But lost love, found back again at the start,
is one that is not readily declared.

Chilly spring mornings spent out on the lawn
are perfect for declaring devotion,
but only if words, in between yawns,
can come from the mind and be given motion.

So it’s a wonder, my dear, that we’ve ever spoken,
The feelings are there, but the words are broken.

- – - – - – - -

I don’t suggest ever trying to compress the entirety of the teenage experience (at least of one night, or a series of them) into a single sonnet.  Even so, on the whole I’m fairly pleased with this particular one.  Aylin never fails to provide adequate fodder for my writing obsession, and Hazael never ceases to enjoy obsessing  right alongside me.

The first kiss is always the hardest.

- – - – - – -

I had a dream a couple nights ago that I made out, quite extensively, with Kaoru.  I am thoroughly disturbed by this dream, ever more so than  some that could probably be considered stranger, because I woke up some minutes later completely disoriented.  I turned out to be sprawled over a pull-out bed next to, you guessed it, Kaoru.  I know for a fact that nothing happened.  I was only dreaming, but my minor trauma remains.

Home again, home again

Been gone for a week, but now I’m back.

Did a lot of thinking (largely due to the Dutch Case (kees?)), but haven’t written a word.

Perhaps later.

Microcosm (sometimes)

Looking in we can see all the things we can’t—that we’re deaf to,
blind to, too mute to speak of—when we’re looking out.
And we can understand.

But this comprehension will not still the external seas.
One microcosmic corner of lucidity hasn’t the substance
to clarify an entire universe.

But sometimes, sometimes there’s just that one moment
when everything falls into place.
And sometimes that’s enough.

How Does it Feel?

This is the sort of contingency no one ever seems to manage to plan for,
Since the general consensus seems to be that—if you do things right—
It just shouldn’t happen.
Shouldn’t and won’t are not the same.

People always told me falling in love was hard
But I’ll be damned if I ever listened to a word they said.
I told myself it would not—could not—ever happen.
I believed myself.
But it did.  How does it feel to be proven a liar?

So here I am—without a plan—and the whole world creeping up on me.

Untitled

Fuck that took a long time to write.

write what you know. if you don’t know anything, write “nothing” and do your damndest to make it sound reasonable.

Somewhere, sometime, someone gave me a piece of advice regarding the writing process.  The source escapes me as so many actually useful facts do, but the advice, delivered in a pleasantly bland north american accent, goes as follows: write what you know.  What I gained from this advice at the time was that, like such authors as Keith Laumer (who was in fact once a diplomat) and Steven Brust (or is it Jim Butcher?) (who is described as being proficient in a large number of antiquated skills) I should gather together what experiences I can from my own life and mold them into something new, expressive, and hopefully marketable.

As I’ve grown older, however, two distinct flaws (discovered during an attempt at practical application) have made themselves known to me.  One is that I am a teenager.  A fairly average teenager.  Therefore my life experience is fairly limited.  I can make the daily happenings in my life seem exciting by making oblique references to Greek tragedies and the like, but in the end all I’m doing is gilding a slowly dying dandelion in the vain hope of making it more interesting than it actually is.  The other problem is that, in order to write about what you know, you have to actually know something about yourself.  So far what I’ve come up with can be tallied on one hand.

1) I’m far older than I feel and far younger than I think.

2) I have rather few emotions and don’t like any of them.

3) I’m very bad at making lists.

Do you see what I mean?  The list goes on to say that I have no talent to speak of except for what I’ve stolen from others (and I don’t mean plagiarism, there’s no profit in that.  I take only the ability to write, not what is written), and despite the fact that I have had a number of experiences in my life, only the most recent ones could be accurately attributed to me.  (This, of course, makes five points, which is the same number on fingers on the human hand unless you a) are the six-fingered man, or b) have had one or more of your fingers amputated for one reason or another.  However, for illustrative and aesthetic reasons, I only bulleted three.  One would have worked even better, really, but that seemed kind of ridiculous at the time.)

There’s a character in a Nero Wolfe story, Priscilla Eades, who is described as having a habit of regularly and radically changing her personality every couple of years.  Why wait years when a month or two is just around the corner?  I’ve been trying to give up the person (or people, or something) I was two years ago for, well, two years.  Every couple of months I find that I’m slipping, and off I go in a different direction.

I never much liked the person I was, not that there was anything particularly wrong with me.  I think that if I hadn’t been overtaken by an uncontrollable fit of wanderlust sophomore year I’d be perfectly content to be the same.  But I did what I did, and I met who I met, and I was overtaken.  The journey has been interesting to say the least, but as much as I like the road less travelled, there are some incredibly deep ruts from those who have come before me (few and far between though they are) and my bicycle keeps getting stuck.  So the question comes up of whether or not it would be easier to just turn back, rewind the clock, and start over the last two years as the person I was before.

I was happy then (if not content).  Now I’m right.  So logically I’m correct about the fact that I’m moving slowly from “stupid” to “crazy” and upsetting the balance which was once stipulated quite clearly in the contract I signed.

Ignorance is bliss.

I’d rather be happy than right any day.

But I digress.

The point is, how can I write what I know when there isn’t much to know, and what little there really is I don’t even like?  The answer is that I don’t.  I write fantasy because one of the things I do like about myself (as I was and as I am) is that I have an exceptionally over-active imagination, so much so that the boundaries of the tangible universe and my own mind are no longer nearly as defined as they probably ought to be.  Unfortunately, this is also one of the facts about myself which I have not yet come to a satisfactory conclusion about.  So it doesn’t go on the list of things I know about myself (since those are facts and this is only fairly concrete speculation).

But I digress again.  I write fantasy.

I’ve also found overtime that my perspective on things is kind of boring.  If you asked my mother, she’d say that this a sign of series self-esteem issues and I should probably see someone with a degree in this sort of thing (which would be pointless, if you ask me, since I have seen people with degrees in largely useless fields before and I’m here to tell you that I’ve gotten better advice from fortune cookies and the players’ guide for the Wheel of Time RPG).  As such I write from the point of view of others, both actual other people and the people I hope to be someday.  I find it much easier, to write about something I don’t really know anything about from the perspective of someone I may never have met in anything resembling a real sense.

“If you can’t dazzle them with dexterity, baffle them with bullshit.”

I should add a sixth bullet to that list.  It will break my previous statement that everything I know about myself can be tallied on one hand, but maybe I am the six-fingered man.  Who really cares, anyway?  One and hand one toe, perhaps.

I know that I have always wanted to be someone else.  The only way to truly achieve that in this stage, this phase, of my life is through writing.  Perhaps one day one of my alternate realities will exist.  Until then, I’ll keep changing in the hope of finally getting it righ.

As usual, I’m the last to know.

Apparently the only “relationship” I’ve ever been in ended some time in the last couple of days, and no one thought to tell me.  Or saw fit to.  One of the two.  Of course, this raises the question of how I know it’s actually over.  Not all agreements need to be in writing, but it helps.

I think I’ll leave my name on the contract for now, however, just in case.
- – - – - – -

These are most of the fragments of (possibly) longer pieces I’ve written in the last month or two, in order.  The oldest ones are at the top, and descend by date from there.  There are different versions of some of them (mostly the one that begins “persephone called me”), but these are the ones I like best.

——-

You did me wrong on a fine summer’s day,
Casting me off as a weight on a string.
I bid you to do with me as you may.
No bird this weary could ever take wing.

I wandered listlessly through endless night
——-
Fair is fair, yet not so fair in thine eyes.
The possibility of beauty falls
Between endless permutations of lies.
Your visage hides behind the curtain walls.

Winter follows in Autumn’s chilly wake
Arguing the merit of cold, pale snow
Against colorful patterns that leaves make.
Who is right?  Who could ever really know?
——-
Speak softly of the gently falling leaves.
Foliage never once let out a wail.
Spy the man who for dying color grieves,
For it is he who won’t look past the veil.
——-
We all strive for constant inspiration
Derived from muses caught and cast in stone.
Malleable is an aberration,
Mostly ideas are brittle as bone.
——-
If my limerence could be expressed
In the form of limericks,
I’d never again speak a word
That no clever rhymes possessed.
——-
I’m not alone in sloughing off what holds
Old abandoned ideals held fast unto my chest.
Hungry eyes ‘hind curtains hide,
Just wait ‘til they’re set free.
——-
Persephone called me,
One two three,
At the height of the ides of March.
The moon hung low and was too slow,
So Destiny passed me by.

Shed a tear, Demeter dear, for you darling daughter
Caught way down under the ground.
Let the cold winds swell.

Soul successfully sold

I had a small fit of literary genius last night and finally got around to writing several poems. Most of them aren’t fit to be read by anyone but myself, but one of them, “Betrayal of the Tangible” is in my previous post. I believe this outburst may have been celebratory in some ways, as I just recently found out that two of the four pieces I submitted to the Looking Glass were accepted. They are:

“Who Knows the Big Bad Wolf?”

Sonnet I : When the Light Comes On

On the whole, I’m quite pleased. Those were the pieces I was really hoping would get some recognition, particularly “Wolf” since last I heard there is a bit of a dearth of short fiction in the magazine on the whole.

So evidently my fears regarding Whitekeys’ wrath were entirely unfounded. And the acceptance slip came via email.

Betrayal of the Tangible

I’m not any more impervious to the fall of the axe
Than you are.
But in some ways I’m that much stronger (just).

Steel cuts into carbon laced with oxygen (laced with what?)
And held together with nothing we can see.

Chemicals and signals bearing names far longer and more confusing
Than my own rush to see what’s happened and then away again,
On the pathways formed by fraying nerves,
To tell everyone they know.

But underneath my skin (within my bones) all is silent.
No chemicals running.
I closed their mouths with masking tape (to hide them, to keep them silent)
When I grew tired of their ceaseless prattling.

I think I may have made a mistake.

Steel cuts into carbon laced with oxygen (laced with fear)
And held together with nothing we can see.

I thought I was stronger, for not feeling the axe.
And all my bonds are breaking.

This is what we all are, after all.

An honest man in hard to come by
Now that the world is set dead against them
And all the worth sucked out of it.

These days a clean conscience has
About as much tangible substance as a ping pong ball,
But yet not nearly as much fun.

A conscience doesn’t bounce so high.

An ordinary man, on the other hand,
Trips up the feet of every passer-by
When he lies on the sidewalk and waits for the world to end.

He’s not alone.  The weight of all those souls
Would tip any scale to the breaking point.
The Laws of Physics outweigh any feather, no matter how heavy.

Flat on your back, watch the homogenous sky go by.

But typical, typical, a typical man is a rare breed indeed.
For what is a man?  And who really cares?
So cold, so cold, and so far away.
Watch the sky go by and save a tale for me.

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